Membership
In This Section
TAASA Memberships
The annual membership fee includes four issues of the TAASA Review per year, entry to all TAASA events (including members’ only events) at members’ rates and reduced entry to a number of other institutions’ events.
New members can join by clicking on the appropriate category below. Current members wishing to renew their membership or update their membership details should log into their account via the Membership Login page and use the renewal process on their My Account page.
Membership Fees
- 1 Year Memberships
- 3 Year Memberships
Memberships are for the calendar year and in Australian dollars.
* Dual Membership relates to members residing at the same home address.
* Full-time students under 26 years, pensioners, unemployed with ID. Seniors Card are not accepted with the Concession Membership.
* Future membership rates are subject to annual review.
TAASA welcomes gifts and bequests
TAASA is a not-for-profit organisation that relies on membership fees and donations. We welcome any donations and bequests made to us in wills. If you would like to make a donation, please click here.
For a special gift, buy a one year membership for a friend. Just click JOIN TODAY in the correct category above.
In this section
Upcoming events
Calendar of Events
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The Life of the Buddha through Gandharan Art
The Life of the Buddha through Gandharan Art
This is the first lecture in The Arts of India: New Perspectives online Zoom series. Presented by Mark Allon.
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Colours of Nations: the 3rd Biennale of Natural Dyes
Colours of Nations: the 3rd Biennale of Natural Dyes
This presentation to the Textile Study Group will give an overview of the remarkable collections at the China National Silk Museum and the Biennale events 'Sources of Colours' exhibition showing naturally dyed historical Chinese silk fragments and 'Colours of Nations' symposium featuring contemporary textiles.
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Porcelain Renaissance: Sin-Ying Ho’s ‘New Export China’
Porcelain Renaissance: Sin-Ying Ho’s ‘New Export China’
Alex Burchmore will introduce the work of the New York-based ceramacist Sin-ying Ho and examine the larger genre of ‘New Export China’ to which she has contributed over the past two decades.
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