WHAT DOES HYBRIDITY MEAN FOR ASIAN ART TODAY? – TAASA Review March 2018
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This article was originally found in the March 2018 edition of TAASA Review (Volume 27, Issue 1, Page 4).
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John Clark DR ue to globalisation, hybridity may no longer be a condition that artists of ‘Asian’ origin choose in undertaking their work.
Hybridity has become a much more generalised feature of cultural and hermeneutic identification, and may have even become one of the basic conditions of both.
It now appears to be a notion that encompasses the amalgamation, or mixing, of differently constituted or differently originating cultural elements as a condition for modernity in art...