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FEARLESS: CONTEMPORARY SOUTH ASIAN ART AT THE AGNSW Natalie Seiz – TAASA Review June 2018

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This article was originally found in the June 2018 edition of TAASA Review (Volume 27, Issue 2, Page 16).

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`I tried very hard to cut the sky in half, one for my lover and one for me.

But the sky kept moving and clouds from his territory came into mine…’ Excerpt from a work by Shilpa Gupta, Untitled (There is No Border Here) 2005-06 I recently read that at a biennale held in South Asia in 2012, of the 90 artists invited, only 6 were women.

Amazed at such a statistic in the 21st century, I felt I needed to reconsider my own research about Asian women artists and the cultural context in which they work...