THE LUCKNOW ALBUM: EXPLORING AESTHETIC AFFINITIES IN INDO-ISLAMIC VISUAL ARTS – TAASA Review March 2017
UNLOCK THIS ARTICLE
This article was originally found in the March 2017 edition of TAASA Review (Volume 26, Issue 1, Page 4).
The full article is available for free to TAASA Members.
Registeror Login
Sushma Griffin D arogha Ubbas Alli, a relatively unknown Shia Muslim photographer, created the historically and critically significant Lucknow Album around 1874.
It is the first self-published indigenous interpretation of the 1857 Indian `Mutiny’ in Lucknow, capital of Awadh (also known as Oudh) in present day Uttar Pradesh (Sharma 1983: 63).
While the album ostensibly commemorates British sacrifice during the 1857 revolt, its multivalent internal contradictions reveal a nuanced subversion of this visual account of British power. Najuf Ashraf or Shah Najuf, The Lucknow Album, 1874, Darogha Ubbas Alli, replicated from Silver Albumen print, British Library Collection, London...