SIN-YING HO’S GARDEN OF EDEN – TAASA Review December 2017
Alex Burchmore I n April this year, New York-based ceramicist Sin-ying Ho completed a residency at the Australian National University, Canberra, at the invitation of the author of this article.
Over two weeks, Ho spent many hours in conversation with local artists and students, gave several public lectures and participated in a roundtable discussion of `global issues in Asian art’: activities not out of the ordinary for the Hong Kong-born artist, who has travelled regularly between the United States, Canada and China since emigrating from Hong Kong to Toronto in 1991. Eden: In a Dream of Hope, No.
1, Sin-ying Ho, 2010, porcelain, hand-painted cobalt pigment, decal transfer, 172.5 x 46.25 cm...