C H I N E S E I N K A N D B R U S H P AI N TI N G A P RA C TITIO N E R ‘ S P E R S P E C TI V E Jane Evans – TAASA Review March 2016
UNLOCK THIS ARTICLE
This article was originally found in the March 2016 edition of TAASA Review (Volume 25, Issue 1, Page 16).
The full article is available for free to TAASA Members.
Registeror Login
A great many of the members of the Chinese Brush Painters Society that I meet in my capacity as their honorary co-president came to Chinese brush painting from an interest in Chinese culture.
For me, however, it was the other way around.
I was living in Manila and wanted to find a practical painting course, preferably one that took place in airconditioned premises by no means a given in the mid-1970s...