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THE ART OF IMITATION: MING WONG AT THE VENICE BIENNALE – TAASA Review December 2009

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This article was originally found in the December 2009 edition of TAASA Review (Volume 18, Issue 4, Page 16).

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Alexandra Crosby T he Venice Biennale has and may always maintain a Euro-American focus.

With audiences queuing for the most talked-about shows at the British and American pavilions, this year’s Biennale (7 June to 22 November 2009) has been no exception.

Many of the Asian pavilions and exhibits went relatively unnoticed...