UNDERGLAZED JOSEON PORCELAINS: THE CULTIVATION OF A KOREAN NEO-CONFUCIAN AESTHETIC – TAASA Review June 2004
UNLOCK THIS ARTICLE
This article was originally found in the edition of TAASA Review (Volume , Issue , Page 9).
The full article is available for free to TAASA Members.Register
Penny Bailey F ollowing the toppling of Korea’s Goryeo dynasty (9181392), the nascent Joseon (13921910) state adopted the example of its closely allied Ming dynasty in China (1368 1644) in installing Neo-Confucianism as the governing ideology.
This shift away from Goryeo’s predominantly Buddhist worldview impelled dramatic changes in Korea’s social, political, and cultural spheres.
In the arts, patronage moved from the monasteries to the imperial court, where early legislators commissioned objects conveying a sense of dynastic legitimacy, political authority and monarchic dignity (Kim 1993:35-36). Dragon jar, Korea, 17th century, porcelain painted in underglaze iron...