About TAASA Review
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The TAASA Review
TAASA Review, the journal of The Asian Arts Society of Australia, is published and distributed to TAASA members quarterly in March, June, September and December each year. TAASA Review is a 32 page, full colour, peer reviewed journal which welcomes submissions of articles and reviews on all aspects of the Asian arts.
You can search for items of interest (by topic or author) in the following ways:
- For members only, you can directly identify and download PDF copies of articles of interest in TAASA Reviews going back to 1992, by logging in and using the search tool provided.
- The editorial and contents page of every TAASA Review published since 1992 can be accessed by clicking on the Available Issues button in the TAASA Review Issues section of the website. Use the list in the Available Issues dropdown menu to browse through previous TAASA Reviews. If you identify an article of interest you can then download the relevant TAASA Review by logging in as a member.
The TAASA Review welcomes advertisements from appropriate companies, institutions and individuals. Rates below are GST inclusive, and are for full colour advertisements only:
- Back page … $850
- Full inner page … $725
- Half page horizontal … $484
- Third page (vertical or horizontal) … $364
- Half column … $265
- Insert … $300
For further information on advertising, including deadlines and discounts for regular quarterly advertising, contact: advertising@taasa.org.au.
Editor: Josefa Green
Publications Committee: Josefa Green (convenor), Carol Cains, Charlotte Galloway, Melanie Eastburn, Marianne Hulsbosch, Jim Masselos, Jackie Menzies, Ann Proctor, Judith Snodgrass, Christina Sumner
Design/Layout: Ingo Voss, VossDesign
Printing: John Fisher Printing
Email: editorial@taasa.org.au
In this section
Latest Issue
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4A.I.: ELSEWHERE IN INDIA
4A.I.: ELSEWHERE IN INDIA
This exhibition will focus on sustainable museum practices, highlight artistic interventions with artificial intelligence by the Asian diaspora, and seek to redefine heritage and cultural objects held in public collections.
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TURKISH OYA (NEEDLELACE): A VILLAGE WOMAN’S SECRET LANGUAGE
TURKISH OYA (NEEDLELACE): A VILLAGE WOMAN’S SECRET LANGUAGE
Frances Ergen has a background in textile design and development in Europe and Japan and has lived in Turkiye for many years, where local textile techniques became a focus. In this talk, Frances will show how the traditional craft of Turkish needlelace has endeavoured to survive, illustrated by her own Oya collection, reference books and other material.
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